![]() Before the Hindi dubbed versions of Baahubali, K.G.F. Voice artists have been instrumental in bridging the gap between different language-speaking audiences. The breakthrough success of Baahubali in the Northern belt is widely attributed to the Hindi voice dubbing of its protagonist Prabhas, done by Sharad Kelkar. These voice artists spend their lives in darkness, speaking others’ dialogues into a microphone, often elevating scenes and outperforming the original film. They don’t receive stardom, Instagram followers, or the pap-love, yet they are the reason the Indian film industry has survived these gloomy years. These voice artists remain faceless, known only by their dismembered voices. Vyas is part of Bollywood’s invisible but not-so-silent army of voice artists, who have single-handedly created the massive, Ka-ching phenomenon of pan-Indian south-north crossover cinema. Voice artist Mayur Vyas smiles after a dubbing schedule at a Goregaon studio | Photo: Nidhima Taneja/ThePrint That’s the challenge,” Vyas recalls with a smile, sitting in a dubbing studio in Goregaon West. You need to sound original to match up to the actor’s style and attitude. “The job can easily be done with a southern accent, but that will be mimicry. Just last week, he returned from Chennai after completing the dubbing for Rajinikanth’s upcoming film Jailer, set to release on 11 August. From 2010 to 2022, Vyas has lent his voice to the southern megastar in ten films - Sivaji: The Boss, Enthiran, Lingaa, Kabali, Pedarayudu, Kaala, 2.0, Darbar, Annaatthe, and Chandramukhi. It is his voice that reverberates through packed theatres and television channels, bringing Rajinikanth’s dubbed Hindi films to life. In the Hindi-speaking regions of North India, Vyas, for all practical purposes, is the superstar Rajinikanth. But by night, he sheds his cloak and magically morphs into “Thailaiva” Rajinikanth, belting out dialogues like ‘ jhund mein toh suar aate hai munna, sher akele hi aata hai’ or ‘ main dikhta ek insaan hu par hu machine’. By day, he is consumed with marketing and advertising subjects. But it takes patience-about a year.Mumbai: Average Joe Mayur Vyas dissolves into the frantic crowds of Mumbai’s local trains every morning as he sets out from Malad to teach at a B-school in Vile Parle. ![]() If you leave your hair to grow without trimming it regularly, it doesn’t ever get longer. This way, you prevent breakage-if the ends don’t split, the hair won’t break further up the shaft. ![]() When I email Joel, asking how I can get my hair as long as Demi Moore’s, he replies: “You have to trim your ends every four to six weeks to ensure that they stay solid. Virtue’s Colorkick De-Brassing Shampoo is a brilliant option.įinally, the rule about trimming your hair regularly in order to maximize length might seem counter-intuitive, but it’s no old wive’s tale. “I recommend a de-brassing shampoo, but not with too much purple or blue pigment as this can dull the hair over time,” says Clarke. If you’re aiming for long, gray hair like Helen Mirren, follow the same rules between appointments as you do for colored hair. “I also recommend adding a gloss to give a youthful shine to the hair.” “This stops the hair looking too solid or flat,” she explains. If you’re coloring it like Demi Moore, Nicola Clarke recommends applying your color half a shade lighter, a centimeter around the hairline. Long hair requires maintenance as we age-but then so does everything else, frankly. My father’s adage about hips and hair was way off any mark, and yet I’ve often heard hairdressers comment that your height has a bearing on how long you wear your hair just as rounder face shapes can benefit from having a few layers cut into the front.Īnd of course, there is the question of condition, where there are, it seems several rules. If there’s a rule at all, it’s one that pertains to all ages, and all hairstyles-a good cut shouldn’t ever wear you, or feel too done. ![]()
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